Since The Nuggets were eliminated after round one of the playoffs, I subsequently cancelled my cable and restarted my Netflix account.
During his last visit, The Scorpio activated Netflix on my Wii and now I’ve been enjoying the constant stream of movies flowing into my TV. See, he’s good for other things besides sex.
I don’t remember what first intrigued me to see Y Tu Mama Tambien. I was a sophomore in college when it came out, so I’m assuming my interest was film-school related. It was also the time when I decided to switch my major from straight-up Film to Media Studies and Writing. Since I’ve graduated they’ve added an actual “Screenwriting” major (go figure).
The film was nominated for Best Original Screenplay in 2001. Seeing how it was written in Spanish, and subtitled for English audiences, I wonder how literally the captions were translated. Either way, the dialogue is luscious. It’s rich. It’s full of life. It makes you laugh and cry and gasp and smile.
The story itself is simple enough: Two high school graduates take a road trip with a seductive older woman who has nothing to lose. It’s also a journey through the heart of Mexico, the dialogue interrupted by strange pockets of narration throughout the movie.
I’ve never used narration in my scripts. I’ve been chastised for using flashbacks, but to me, narration also serves the purpose of a flashback. Its explains details we cannot see. The unknown facts that somehow make the story more relevant. Although the narration in Y Tu Mama Tambien is stark and seemingly out-of-place, it adds a sense of documentary to the film. It takes self-importance away from each character, as if they are just another element in the bigger picture. Each revelation is dark, letting the audience know some secret that the characters are keeping from each other. It tells the truth, when the scene is clouded with mystery.
I like it. I don’t know how to do it in my own screenplay though.
This movie brings both incredible joy and incredible sadness. There is a melancholy feel at the end of it. Sometimes there is shock, as if you can’t believe what you are watching, but you still want to see more. It’s funny. It’s crude. Its young. It’s old. It’s traditional. It’s modern. It’s sexy.
And event though the ending is utterly and completely FINAL, I somehow want to see a Y Tu Mama Tambien 2!



